SELECTED CAMPAIGNS
A CURATED EDIT OF LIGHT-LED WORK FOR BRANDS
Each one gets the whole studio.
Fewer shoots means the same people light, shoot and grade your campaign from the first call to the last file. We book a fixed number of campaign days each month to keep it that way.
Since 2014, for 64 brands in beauty, fashion and lifestyle. Most of them came back for a second.
We keep the roster small on purpose. Repeat work is the only review that counts.
Selected frames arrive graded two days after the shoot, ready for sign-off.
Photography, production, hair and make-up, retouch and grade under one roof.
A serum launch shot with a beauty dish, a V-flat and two rim strips, then retouched for dust and colour only. Drag across the frame to compare the raw file with the delivered grade.
Twelve years lighting faces. Still carries a light meter, still uses it.
Runs the call sheet, the budget and the clock. Nothing ships late on his watch.
Makes skin look rested under hard light, without a trace of powder on camera.
Retouches dust, not people. Proofs every print on the paper it will run on.
Start here.
The questions brands and agencies ask us most, before the first call.
Journal
Notes from the set
All notes

Lighting
6 min
How we light skin so it still looks like skin
Beauty dish, V-flat, two strips: the setup behind most of our beauty work, and why we retouch so little.

Production
4 min
The call sheet we send before every shoot
One page, sent 48 hours before call time. What goes on it, and what we have learned to leave off.

Process
5 min
Why we still shoot tethered
Every frame lands on a calibrated screen as it is shot. It slows nothing down and it saves reshoots.







